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在ireland independence這個產品中，有6篇Facebook貼文，粉絲數超過1,517的網紅芬蘭.媽媽的日常，也在其Facebook貼文中提到， 由於芬蘭明日(12月6日) 便踏入一百年獨立日，這兩天全球至少有三十個國家五十個景點以芬蘭國旗顏色藍白色，用燈照明地標的方法送上祝賀 ...
　同時也有10000部Youtube影片，追蹤數超過2,910的網紅コバにゃんチャンネル，也在其Youtube影片中提到，...

ireland independence 在 芬蘭.媽媽的日常 Facebook 的最佳解答

芬蘭.媽媽的日常 By 芬蘭.媽媽的日常

2017-12-06 05:17:50 有 16 人按讚
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由於芬蘭明日(12月6日) 便踏入一百年獨立日，這兩天全球至少有三十個國家五十個景點以芬蘭國旗顏色藍白色，用燈照明地標的方法送上祝賀 <3

Netherlands, Alkmaar - Stadskantine Alkmaar

Argentina, Buenos Aires - Usina del Arte

Australia, Adelaide - Adelaide Town Hall

Australia, Brisbane - Story Bridge and Victoria Bridge bridges

Australia, Canberra - Telstra Tower Tower, Old Parliament House, Malcolm Fraser Bridge, Science and Technology Center Kycon (Parkes)

Australia, Hobart - Railway Roundabout Fountain, Elizabeth Street Mall, and Kennedy Lane Tourism Precinct

Australia, Perth - Council House Building and Trafalgar Bridge Bridge

Brazil, Rio de Janeiro - Christ statue

Bulgaria, Sofia - National Palace of Culture

Ethiopia, Addis Ababa - Judge a lion statue in front of the Ethiopian National Theater

Ireland, Dublin - Dublin Mayor's Office Mansion House

Iceland, Reykjavik - Harp

Great Britain, Newcastle - Millenium Bridge Bridge

Italy, Rome - Colosseum

Austria, Vienna - Riesenrad Ferris wheel

Canada - Niagara Falls

Kazakhstan, Astana - Bridges across the Esil River, St. Regis Hotel

Greece, Athens - Arch of Hadrian

Cyprus, Nicosia - White Walls Building

Latvia, Jelgava - Railway bridge

Latvia, Riga - City Hall tower in the old center, the railway bridge over the Daugava river

Mexico, México - Angel of Independence (Ángel de la Independencia)

Mozambique, Maputo Fortaleza Fortress

Norway, Oslo - Holmenkollen jumper

Portugal, Lisbon - Belém Tower (UNESCO World Heritage Site)

Poland, Warsaw - Cultural Palace

Sweden, Stockholm - Globe

Serbia, Belgrade - Ada Bridge, Palace Albania building

Switzerland, Montreux - Mannerheim Monument

Czech Republic, Prague - The Dancing House designed by Frank Gehry

Ukraine, Kiev - Embassy of Finland in Finland

Hungary, Budapest - Elisabet bridge

Russia, Lumivaara - Lumivaara Church

Russia, Moscow - Embassy of Finland in Finland

Russia, Petrozavodsk - National Theater

Russia, St. Petersburg - Ethnographic Museum

Estonia, Tallinn - Stenbock House (Tallinn Administrative Building)

Estonia, Tartu - Vanemuine Theater, Vincennes and Arcades

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ireland independence 在 聶永真 Aaron Nieh Facebook 的精選貼文

聶永真 Aaron Nieh By 聶永真 Aaron Nieh

2016-09-06 21:46:33 有 716 人按讚
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強中之強！

-
攝影之聲19
#照片 #雕塑
#photo #sculpture

在這期《攝影之聲》中，日本設計師田中義久與雕刻家飯田竜太所組成的雙人創作組合「Nerhol」，將照片層層堆疊雕琢刻鏤，改造平面攝影為多元視點的立體圖像，顛覆照片設下的時空制約；荷蘭藝術家Anouk Kruithof擷取81個美國機關組織的Instagram帳號所發布的官方照片，締構一系列複合媒材影像雕塑，在型態轉化之中探索當代圖像訊息的變異組建；韓國藝術家權五祥拍下大量的實物細節，將照片拼貼雕砌成各種人形塑像與物件結構，超越平面—立體形態之間的思索界線。

本期的Artist’s Showcase單元，我們特寫1992年出生的數位媒材原生世代——影像藝術家小林健太，藉由他自由裂解增生的數位塗抹（digital smudge）軌跡，在介入、破壞與影像噪音化的各種實驗中，將傳統攝影的物質與機械性建制重新格式化，跌進影像生成狀態的混元世界，突顯了視覺技術的思維後像。或許激浪派（Fluxus）的意識將再透過他的作品重返攝影的話題，並反映著這個世代的視線主張。

◑ GRAB YOUR COPY NOW!! ◑

Voices of Photography
Issue 19 : #照片 #雕塑 #photo #sculpture

在這期《攝影之聲》中，日本設計師田中義久與雕刻家飯田竜太所組成的雙人創作組合「Nerhol」，將照片層層堆疊雕琢刻鏤，改造平面攝影為多元視點的立體圖像，顛覆照片設下的時空制約；荷蘭藝術家Anouk Kruithof擷取81個美國機關組織的Instagram帳號所發布的官方照片，締構一系列複合媒材影像雕塑，在型態轉化之中探索當代圖像訊息的變異組建；韓國藝術家權五祥拍下大量的實物細節，將照片拼貼雕砌成各種人形塑像與物件結構，超越平面—立體形態之間的思索界線。

本期的Artist’s Showcase單元，我們特寫1992年出生的數位媒材原生世代——影像藝術家小林健太，藉由他自由裂解增生的數位塗抹（digital smudge）軌跡，在介入、破壞與影像噪音化的各種實驗中，將傳統攝影的物質與機械性建制重新格式化，跌進影像生成狀態的混元世界，突顯了視覺技術的思維後像。或許激浪派（Fluxus）的意識將再透過他的作品重返攝影的話題，並反映著這個世代的視線主張。

專欄單元中，張世倫對類比底片粒子與數位像素的影像物質性進行思辨，闡述影像的不完美特性對攝影本質的啟示；顧錚評析中國藝術家蔡東東近期發表的攝影裝置系列——《泉》，在達達主義興起並影響至今的一百周年之際，檢視當代現成物藝術的實踐語彙；此外，從這期開始，我們更邀請香港攝影學者黎健強執筆一個新的連載專欄——「影像香港」，他以近年親身參與籌劃的攝影展覽歷程做為序論，並將陸續疏理香港的攝影史脈與當代影像地景，做為我們串連東亞攝影發展的另一切點。

在英國近期「脫歐」抉擇的歷史之年，也是愛爾蘭「脫英」武裝革命——1916年「復活節起義」——的一百周年，這場獨立行動雖告失敗，卻因最終催生了愛爾蘭共和國而成為歷史關鍵，今年在倫敦與都柏林皆有相關的紀念活動。梁秋虹在英、愛現場深度剖析這些歷史影像檔案的視覺展演，解讀革命符號與受難者影像中，攝影政治學幽微操作的記憶與神話。

「Q」單元專訪德國資深出版人Gerhard Steidl，他於1972年創立的「Steidl」以出版印工精緻的作品集聞名，並成為國際藝術出版界的指標之一，Steidl在訪談中與我們分享他的工作經驗，以及對紙本印刷工藝的觀察見解。本期附帶的別冊《SHOUT》則特別揭載中國藝術家孫彥初的《虛構集》系列，他自古玩市場蒐集中國上世紀七O至八O年代的素人生活照，以塗鴉拼貼重構造相，在影像的虛實映照之間轉動拉扯。

編輯台報告埋著頭寫著寫著，《攝影之聲》正式來到第五個周年，而我們仍在深入影像銀河悠悠無邊的光年裡緩緩推進。謝謝親愛的讀者、參與《攝影之聲》的藝術家、所有撰稿人和工作伙伴。這是一段長途旅行，我們將繼續往下一站前進。

▍購買雜誌 Order | http://goo.gl/Xecs3q
▍訂閱雜誌 Subscribe | http://goo.gl/ZE9gd0

In this volume of VOP, we see how “Nerhol” the creative duo made up of Japanese designer Yoshihisa Tanaka and sculptor Ryuta Iida put together layers of photographs with sculpturing and engraving, changing 2D photography to 3D images with multiple points of view, challenging the time-space limits of photographs. Also, we will also learn about how Dutch artist Anouk Kruithof selected official photographs from the Instagram accounts of 81 American organizations to create a series of photo-sculptures using multiple media, through which she explores the changes and construction processes of contemporary image information. In addition, we will see how Korean artist Osang Gwon with his vast number of photographs of objects taken in detail, combines these images into sculptures of various characters and structures, crossing the visual and thought boundaries of 2D and 3D.

We present a special in this issue’s Artist Showcase on Kenta Cobayashi, a visual artist of the digital media age born in 1992. Through his creative journey using free expression with the digital smudge in Photoshop, he re-formalizes the materiality and mechanism of traditional photography, immersing himself in a state of flux when images were born and highlights the technicalities behind visual creations. His work seems to have an affinity with Fluxus bringing this art movement back into the photographic conversation through his various experiments of intervention, destruction and noise in images. The work also reflects the trend of viewing in this time and age.

In this issue’s columns, Shih-Lun Chang touches on the issue of materiality between the grains of film photography and the resolution of digital photography, illustrating the inspiration that can be brought to the nature of photography by the imperfection of images; Zheng Gu critiques Fountain, the recent photography installation work by Chinese artist Dongdong Cai, which examines the practical language of ready-made art in the centennial anniversary of Dadaism’s emergence and influence. In addition, starting from this issue, we invite renowned Hong Kong photography academic Dr. Edwin K. Lai to pen a new column “Image Hong Kong”. He begins with sharing his journey of curating and participating in photography exhibitions in recent years, and will subsequently go on to bring us through the historical lineage of Hong Kong’s photography and its contemporary landscape, providing us with a new link point with East Asian photography.

This year where we witness “Brexit” also coincides with the 100-year anniversary of the “Easter Rising” of 1916 associated with Ireland’s military revolution in a bid to perform a “Brexit”. Although this bid for independence met with failure, it continued to hold key meaning in history for its eventual result in birthing the Republic of Ireland. This year, commemorative activities were held in both London and Dublin. Chiu-­Hung Liang brings us in-depth reports of the visual displays of historical archival images from the two locations, interpreting the revolutionary iconography involved and the intricate influences exerted by photography politics on the images of victims, their memories and legacies.

The “Q” segment features an interview with long-time publisher Gerhard Steidl who founded the publishing house “Steidl” in 1972, well-known for its high quality publications which marks it out as a landmark of the international artistic publication circle. Steidl shares his work experiences as well as observations and opinions about the craft of the print with us in this interview. Also, in this issue’s supplement SHOUT, we present a special excerpt of Chinese artist Yanchu Sun’s Ficciones, where he presents a series of photographs of the everyday life of ordinary people from antique markets in China between the 70s’ and 80s’, employing the means of drawing and collage to recreate images, playing on the relations between the real and the fictional.

With this editorial we write, VOP enters its fifth anniversary. As we continue our slow but sure journey forward in the universe of photography, we want to thank our dear readers, artists, writers and contributors as well as others who have worked with VOP, onward we move!

---
Voices of Photography 攝影之聲
www.vopmagazine.com

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聶永真 Aaron Nieh

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ireland independence 在 VOP Facebook 的最佳解答

VOP By VOP

2016-09-05 21:12:17 有 206 人按讚
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◑ 新刊上架 !! ◑

Voices of Photography
Issue 19 : #照片 #雕塑 #photo #sculpture

▍購買雜誌 Order | http://goo.gl/Xecs3q
▍訂閱雜誌 Subscribe | http://goo.gl/ZE9gd0

在這期《攝影之聲》中，日本設計師田中義久與雕刻家飯田竜太所組成的雙人創作組合「Nerhol」，將照片層層堆疊雕琢刻鏤，改造平面攝影為多元視點的立體圖像，顛覆照片設下的時空制約；荷蘭藝術家Anouk Kruithof擷取81個美國機關組織的Instagram帳號所發布的官方照片，締構一系列複合媒材影像雕塑，在型態轉化之中探索當代圖像訊息的變異組建；韓國藝術家權五祥拍下大量的實物細節，將照片拼貼雕砌成各種人形塑像與物件結構，超越平面—立體形態之間的思索界線。

本期的Artist’s Showcase單元，我們特寫1992年出生的數位媒材原生世代——影像藝術家小林健太，藉由他自由裂解增生的數位塗抹（digital smudge）軌跡，在介入、破壞與影像噪音化的各種實驗中，將傳統攝影的物質與機械性建制重新格式化，跌進影像生成狀態的混元世界，突顯了視覺技術的思維後像。或許激浪派（Fluxus）的意識將再透過他的作品重返攝影的話題，並反映著這個世代的視線主張。

專欄單元中，張世倫對類比底片粒子與數位像素的影像物質性進行思辨，闡述影像的不完美特性對攝影本質的啟示；顧錚評析中國藝術家蔡東東近期發表的攝影裝置系列——《泉》，在達達主義興起並影響至今的一百周年之際，檢視當代現成物藝術的實踐語彙；此外，從這期開始，我們更邀請香港攝影學者黎健強執筆一個新的連載專欄——「影像香港」，他以近年親身參與籌劃的攝影展覽歷程做為序論，並將陸續疏理香港的攝影史脈與當代影像地景，做為我們串連東亞攝影發展的另一切點。

在英國近期「脫歐」抉擇的歷史之年，也是愛爾蘭「脫英」武裝革命——1916年「復活節起義」——的一百周年，這場獨立行動雖告失敗，卻因最終催生了愛爾蘭共和國而成為歷史關鍵，今年在倫敦與都柏林皆有相關的紀念活動。梁秋虹在英、愛現場深度剖析這些歷史影像檔案的視覺展演，解讀革命符號與受難者影像中，攝影政治學幽微操作的記憶與神話。

「Q」單元專訪德國資深出版人Gerhard Steidl，他於1972年創立的「Steidl」以出版印工精緻的作品集聞名，並成為國際藝術出版界的指標之一，Steidl在訪談中與我們分享他的工作經驗，以及對紙本印刷工藝的觀察見解。本期附帶的別冊《SHOUT》則特別揭載中國藝術家孫彥初的《虛構集》系列，他自古玩市場蒐集中國上世紀七O至八O年代的素人生活照，以塗鴉拼貼重構造相，在影像的虛實映照之間轉動拉扯。

編輯台報告埋著頭寫著寫著，《攝影之聲》正式來到第五個周年，而我們仍在深入影像銀河悠悠無邊的光年裡緩緩推進。謝謝親愛的讀者、參與《攝影之聲》的藝術家、所有撰稿人和工作伙伴。這是一段長途旅行，我們將繼續往下一站前進。

In this volume of VOP, we see how “Nerhol” the creative duo made up of Japanese designer Yoshihisa Tanaka and sculptor Ryuta Iida put together layers of photographs with sculpturing and engraving, changing 2D photography to 3D images with multiple points of view, challenging the time-space limits of photographs. Also, we will also learn about how Dutch artist Anouk Kruithof selected official photographs from the Instagram accounts of 81 American organizations to create a series of photo-sculptures using multiple media, through which she explores the changes and construction processes of contemporary image information. In addition, we will see how Korean artist Osang Gwon with his vast number of photographs of objects taken in detail, combines these images into sculptures of various characters and structures, crossing the visual and thought boundaries of 2D and 3D.

We present a special in this issue’s Artist Showcase on Kenta Cobayashi, a visual artist of the digital media age born in 1992. Through his creative journey using free expression with the digital smudge in Photoshop, he re-formalizes the materiality and mechanism of traditional photography, immersing himself in a state of flux when images were born and highlights the technicalities behind visual creations. His work seems to have an affinity with Fluxus bringing this art movement back into the photographic conversation through his various experiments of intervention, destruction and noise in images. The work also reflects the trend of viewing in this time and age.

In this issue’s columns, Shih-Lun Chang touches on the issue of materiality between the grains of film photography and the resolution of digital photography, illustrating the inspiration that can be brought to the nature of photography by the imperfection of images; Zheng Gu critiques Fountain, the recent photography installation work by Chinese artist Dongdong Cai, which examines the practical language of ready-made art in the centennial anniversary of Dadaism’s emergence and influence. In addition, starting from this issue, we invite renowned Hong Kong photography academic Dr. Edwin K. Lai to pen a new column “Image Hong Kong”. He begins with sharing his journey of curating and participating in photography exhibitions in recent years, and will subsequently go on to bring us through the historical lineage of Hong Kong’s photography and its contemporary landscape, providing us with a new link point with East Asian photography.

This year where we witness “Brexit” also coincides with the 100-year anniversary of the “Easter Rising” of 1916 associated with Ireland’s military revolution in a bid to perform a “Brexit”. Although this bid for independence met with failure, it continued to hold key meaning in history for its eventual result in birthing the Republic of Ireland. This year, commemorative activities were held in both London and Dublin. Chiu-­Hung Liang brings us in-depth reports of the visual displays of historical archival images from the two locations, interpreting the revolutionary iconography involved and the intricate influences exerted by photography politics on the images of victims, their memories and legacies.

The “Q” segment features an interview with long-time publisher Gerhard Steidl who founded the publishing house “Steidl” in 1972, well-known for its high quality publications which marks it out as a landmark of the international artistic publication circle. Steidl shares his work experiences as well as observations and opinions about the craft of the print with us in this interview. Also, in this issue’s supplement SHOUT, we present a special excerpt of Chinese artist Yanchu Sun’s Ficciones, where he presents a series of photographs of the everyday life of ordinary people from antique markets in China between the 70s’ and 80s’, employing the means of drawing and collage to recreate images, playing on the relations between the real and the fictional.

With this editorial we write, VOP enters its fifth anniversary. As we continue our slow but sure journey forward in the universe of photography, we want to thank our dear readers, artists, writers and contributors as well as others who have worked with VOP, onward we move!

---
Voices of Photography 攝影之聲
www.vopmagazine.com

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VOP

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《Voices of Photography 攝影之聲》是一份影像文化獨立刊物。自2011年創刊，致力探索攝影的文化、歷史與思潮，並持續推動影像閱讀、書寫和研究。 《攝影之聲》長期關注亞洲的攝影發展歷程，重視亞際連結，集結國內外眾多學者、藝術家與文化工作者共同參與撰述，透過每期不同的主題視野，製作出豐富的專題與單元，並收錄了重要的創作文獻與研究資料，同時亦以「影言社」為名出版相關叢書，是台灣少數專注於攝影與視覺文化論述領域的獨立出版單位，曾多次獲頒台灣出版界最高榮譽「金鼎獎」各類獎項。 Voices of Photography (VOP) is an independent publication dedicated to image culture. Since its inception in 2011, VOP has been exploring the culture, history and philosophy of photography, and continually promoting imagery reading, critique, and research. VOP has always focused on the development of photography in Asia and places special importance on inter-Asian connections. Through collaborative effort with scholars, artists and cultural workers locally and from all over the world, VOP has been gathering important literature and research materials, presenting rich and varied features with a different theme every issue. Now engaging in the publication of written work and criticism through VOP BOOKS, VOP is one of the rare few independent publishers in Taiwan that focuses on photography and visual culture, earning many accolades at the Golden Tripod Awards, the highest honor in Taiwan’s publishing industry. ＿＿＿＿＿＿＿＿＿＿ 訂閱雜誌 SUBSCRIBE www.vopmagazine.com/subscribe/ VOP書店 VOP BOOKSHOP bookshop.vopmagazine.com
一份影像文化獨立刊物. An independent publication dedicated to image culture.
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ireland independence 在 コバにゃんチャンネル Youtube 的最讚貼文

コバにゃんチャンネル By コバにゃんチャンネル

2021-10-01 13:19:08 有 9 人看過 有 1 人喜歡
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大象中醫 By 大象中醫

2021-10-01 13:10:45 有 0 人看過 有 0 人喜歡
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大象中醫

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長照是一個劇變的旋轉舞台 百年難得一見 沒有準備的人 被旋轉舞台甩出去 不是坐下就是躺下 而大象中醫是太極的推手 推動著旋轉舞台 讓 所有爬不起來的人 背後有一股推手力量 支撐再站起來
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ireland independence 在 大象中醫 Youtube 的最讚貼文

大象中醫 By 大象中醫

2021-10-01 13:09:56 有 0 人看過 有 0 人喜歡
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大象中醫

About author
長照是一個劇變的旋轉舞台 百年難得一見 沒有準備的人 被旋轉舞台甩出去 不是坐下就是躺下 而大象中醫是太極的推手 推動著旋轉舞台 讓 所有爬不起來的人 背後有一股推手力量 支撐再站起來
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社群媒體上有些相關的討論：
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Northern Ireland
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